Wolf

Start, middle, finish. Hated it.
Another movie where Nicolson just annoys the living *&^%& out of me!!!
More like a werewolf movie for romantics.
Boring, dull, unmemorable and just plain annoying.
Lame script, dull special effects, boring directing.
I remember being happy when the ending credits finally rolled.
Another Jackie Boy clunker I should have had enough sense to get up walk out on.
From beginning to end, a disaster that I'd put in top twenty worst movies of all time.
AVOID!!!

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This is a movie I'd forgotten about, but thought it was worth going back to and writing a review. If you are a Jack Nicholson fan like myself, you'll want to consider adding this to your library even if you're not a horror fan. Nicholson plays editor Will Randall who gets pushed around by people and even edged out of his high position in the company by a younger man...until he's bitten by a wolf. Suddenly Randall has a wild streak and is fighting to be 'alpha male' again, though not even he is aware at first of how deadly his ambition has grown. This is a really cool spin on the werewolf tales and I like the interaction between Nicholson and Michelle Pfeiffer who plays a rich man's daughter with an attitude. Keep in mind the special effects were not 'up to date' on this one, but it is still worth a watch. Some fans of really gory/bloody horror might be disappointed, but I liked the 'human' focus on how relationships drastically change as a man becomes an animal.

Chrissy K. McVay - Author

It is more of the lines a spirital werewolf movie then an regular werewolf movie. They actully don't turn into a werewolf but they act like one!

Following Francis Ford Coppola's Dracula, and released some months before Kenneth Branagh's Frankenstein, Mike Nichol's and Jack Nicholson's take on the Wolf Man legend is profound, provocative, and a whole bunch of other great adjectives. Michelle Pfeiffer is a babe, James Spader is a punk, (and memorable villain), and Nicholson is a wonderful new addition to the line-up of truly amazing Wolf-Men, the Manhattan editor with spunk (and vitality), Will Randall. Another bonus, aside from the story and its faithfulness itself, is the beautiful musical score, by Ennio Morricone.