Envisioning Information

Tufte follows up his debut classic with an even more beautiful piece of graphic art disguised as a guide to ways to display three (and more) dimensions on a flat surface.

While even more beautifully crafted than The Visual Display of Quantitative Information, 2nd edition, it has less in the way of practical guidance. Tufte's principle here can be reduced to this far-reaching but not so simply-implemented statement: increase the resolution of "flatland" (paper or computer screen) to show more data to increase clarity.

As usual, the principle is lavishly illustrated with beautifully-reproduced examples of good and bad ways of envisioning information. In fact, I have found Tufte's principle and illustrations are useful ways of thinking about how to improve my own graphics, but I find my ability to implement them frustrated by the limitations of the design tools I use most: Excel, PowerPoint, Project, Word, wikis. That is a negative reflection on the tools, not on Tufte.

In any case, enjoy Tufte's books now for the portable affordable art that they are, and hope for the tools to catch up soon.

Nutshell review - This is a beautiful resource on presenting information in a myriad of ways with many examples of good and bad design. Beautifully illustrated.

Every time I go back to this book I get something more out of it. Over the past 10 years I've been through my copy a couple of dozen times. If communicating information is important to you, you should take a look at this classic.

This is my 3rd favorite of Tufte's books after Visual Display and Visual Explanations, but it would be a good addition for any Tufte collection and still contains useful info.

I admit. I do not have natural tendencies for developing web sites, color maps, charts, schedules, power points, diagrams or GUIs. Anything as such comes out in complete discord until I came across Edward Tufte's name in a seminar brochure.

Edward Tufte scrutinizes design strategies all they way back in time from the Renaissance period into the 20th century. Initially I wondered, how on earth are these prestigious techniques presented in ancient times similarly applied today? They are not common today. Computer programs and marketing propaganda have limited our visual expectations to only broad and small pieces of information, limiting our learning space about the world we live in. Beyond contemporary appeals, Edward sheds out underlying utility out of these relics into everyday use. His prime example is a 1735 London figure of two dancers. The drawing describes their dance in time, motion, and sound without common resort to animation.

Chapters in this book: Escaping Flatland, Micro/Macro Readings, Layering and Separation, Small Multiples, Color and Information, and Narratives of Space and Time.